Musings on Chaos
Chaos Theory, Spirals, Dynamism, and other Strange
Attractors. What does it all
have to do with Art?
In a famous paper written in 1963, Ed Lorenz stated that simple systems of three differential equations can have complicated attractors. The Lorenz attractor, with its butterfly wings reminding us of sensitive dependence is the "icon" of chaos. Lorenz showed that his attractor was chaotic, since it exhibited sensitive dependence. Moreover, his attractor is also "strange," which meant that it was a fractal.
Before Chaos (BC?), the only known attractors were fixed points, periodic orbits and invariant tori also called quasiperiodic orbits. The famous Poincaré-Bendixson theorem states that for a pair of first order differential equations, only fixed points and limited cycles can occur. Thus when a third random point is introduced into the equation, and interdependence ensues, the outcomes are infinite, and ultimately the fractal is formed. A control parameter is a constant in an equation for which we get to choose the value. Set the parameter's value at a certain number, and a system will evolve in a certain way. Set the parameter's value at a different number, and all chaos may break loose. Thus, the parameter is king, and it dictates whether or not a system travels the chaotic route.
Thee fractal
is thee spiral of life:
If we are built from Spirals while living in a giant Spiral,
then
is it possible
that everything
we put our hands
on is infused with the Spiral?
What is
the spiral anyway?
The Golden Spiral is a mystical shape that is an
absolute in both abstract mathematics and
chaotic
nature. It was first discovered by Phythagoras,
a
failed
Greek messiah and mathematical cult leader in
the 5th
century B.C.
The spiral is derived via the golden rectangle, a unique
rectangle which has the golden ratio. When squared,
it
leaves a smaller rectangle behind, which has
the same
golden ratio as the previous rectangle. The
squaring
can continue indefinitely with the same result.
No other
rectangle has this trait.
When you connect a curve through the corners of
these concentric rectangles, you have formed
the
golden spiral. The Phythagoreans loved this
shape for
they found it everywhere in nature: the Nautilus
Shell,
Ram's horns, milk in coffee, the face
of a Sunflower,
your fingerprints, our DNA, and the shape of
the Milky
Way.
What is
Chaos Theory?
Chaos Theory can be generally defined as the study
of forever-changing
complex systems. Discovered by a meteorologist
in 1960, chaos theory contends that
complex and unpredictable results will occur
in systems
that are sensitive to small changes in their initial
conditions. The most common example of this,
known
as the "Butterfly Effect," states that the flapping
of a
butterfly's
wings in China could cause tiny atmospheric
changes which over a period of time could
effect
weather patterns in New York, thousands of miles
away.
In other words, it is possible that one very small
occurrence somewhere can produce
unpredictable and sometimes drastic results by triggering a series
of increasingly
significant events somewhere else.
Although
chaotic systems appear to be random, they
are not. Beneath the random behavior patterns
emerge,
suggesting, if not always revealing, an
order.
Chaos Theory can be used to model other highly complex systems,
including
everything from population growth to epidemics
to arrhythmic heart
palpitations.
When applying chaos theory, it is revealed that even something as
seemingly
random as a dripping faucet has an order behind
it.
Chaos:
by definition is an effectively unpredictable long time behavior arising in a deterministic dynamical
system because of sensitivity to initial
conditions.
Mathematically, chaos can be achieved by the simple iteration
of certain
equations. The
recipe for chaos in the real world, however, is still in theory stage.
Chaologists propose several possible causes of chaos:
1. The value of a control parameter is increased to a
point
where chaotic behavior sets in.
2. The nonlinear interaction of two or more separate
physical
operations.
3. Ever-present environmental noise affecting otherwise
regular motion.
Change,
flux, and movement: Can we create the synergy?
Chaos begins with logic, the formalization of a mathematical equation. Art, too, begins with logic. Formalize the rules of logic into a mathematical formula, plot the result, and you will have created an order, a creation in itself. Add to this self-similar design, the element of human consciousness, and you will have created art, art that changes the viewer, art that changes the creator.
Effects on my art:
I have
been interested in Chaos Theory since the mid
1980s. I feel that my
constant meanderings and experimentations in thought related to Chaos, has
had a significant impact on my art.
If not in a stylistic manner, at the very least
philosophically. I have always
maintained a duality in my life, one of order and one in which I allow chance
to guide me. I believe creating
art has a way of forcing me to work with order: the canvas, brushes, colour, etc,
but chance is ultimately what guides me in the composition, the choice of colour,
and the final result. Like
any dynamical system, I take a systematic approach to the creation of the
stretcher, the stretching of the canvas, and the plotting of anticipated
results (the sketch), but when it is done, the element of human consciousness
is what has taken over. That
is the element that cannot be plotted, that is the element of
Chance.
Are we really ready to bridge the chaos?